Wednesday, May 25, 2016

Make it easy and show your customer

equal
effective
. Indeed, in many cases, the introduction of the mobile as an
entry mechanic simply serves to divorce the customer from the product
and reduce the chances of an actual purchase taking place. Be vigilant —
showmanship lurks around every corner.
Ease equals
convenience
Ease is a key factor in effective marketing communications, and what is
more — as I hope this chapter demonstrates — it permeates right into the
heart of marketing itself. So if the process of analyzing your communica-
tions for their “easiness” takes you deeper than expected, then surely that’s
a good thing.
The more hurdles you can anticipate — and remove — the more partici-
pation and repeat sales you’ll get. This principle applies across the spec-
trum, from advertising for binoculars to promoting beer in a pub.
As the faxback and try-me-free case studies illustrate, the tipping point
can be remarkably unobtrusive when it comes to customer response. We
naively tried to make our faxback mailing easier, and almost killed off
response. A small detail that you might easily overlook could make the dif-
ference between profit and loss. (Your small detail could be your cus-
tomer’s insurmountable hurdle.)
Your customer gets — by one of the more conservative estimates I have
seen — 254 commercial messages every day,
12
over 90,000 uninvited intru-
sions into their already busy life every year. How much effort can you real-
istically expect them to make on your behalf?
The answer, of course, is not a lot. But get navigation right and the inter-
ested customer will take a first step in your direction. Remove the practical
hurdles — and do this at the start of your thinking — and you can maintain
your customer’s momentum.
To
paraphrase Paco Underhill, chief exponent of the “science of shop-
ping”: make life difficult for your customer at your peril, for “amenability
and profitability are totally and inextricably related.”
13
STEP 2: EASE
65
Steps you can take
So far in this chapter I’ve made little mention of direct marketing — or, at
least, of direct
mail
. Yet of course, there is probably no other area of mar-
keting communication more obsessed with ease than direct mail. I say
obsessed, because if you read between the lines of any direct marketing
handbook (and there are some very good ones
14
) you’ll find that a signifi-
cant proportion of the advice concerns ease: simple things you can do to
make it easier for your customer to respond.
Indeed, John Watson, a leading direct marketing practitioner for over a
quarter of a century, goes so far as to say (and I paraphrase):
“If there is a secret of successful direct mail, it is to devote your mail-
ing to the action you want your reader to take.”
People in the business of making mailings tend to call the physical ele-
ments of a mailing the
for
mat
. This is the size, the shape, the material, the
various pieces, the layout, the color, and so on. When it comes to ease, it’s
the format that can make a real difference for your customer.
Clear your customer’s path
A good place to start is with the envelope. Can your customer open it? If
your customer is a little old lady with arthritis and it is a tough polythene
envelope, the answer is probably not.
In fact, not only are they awkward to open, but polythene envelopes or
shrinkwraps always seem to transfer a film of grime to your hands and
clothes. In a recent mini-survey I conducted, the average account execu-
tive’s wastebin contained 2.7 unopened items of polythene-wrapped mail.
Ne
xt, can your customer read your writing? If they’re over 40 and
you’ve set some of the text in 5-point type, then I doubt it. If they don’t
have their reading glasses handy, you’re in trouble.
But surely nobody would send out a mailing with essential instructions
set in 5-point type? As you’ll recall, the UK National Lottery did.
DOES YOUR MARKETING SELL?
66
OK, your customer has found their specs. What about a pen? Even in
the office pens go walkabout, and at home I can only put it down to the
Borrowers. I’m especially amazed that more pen makers don’t include free
personalized samples in their mailings to businesses.
While a pen should not generally be too much of a hurdle, it can make
a difference. The Cancer Research UK mailing shown in Figure 25 contains
a free pen. The charity’s experience is that
this can create an uplift of 50 percent. Of
course, a free pen in these circumstances
is not just something to write with — it’s
a small gift and an indication
of the urgency of the appeal,
both of which may addition-
ally influence the recipient’s
feelings and inclination to
respond.
You should also ask
yourself whether your cus-
tomer needs a pen at all. If
you have sent customers a
personalized mailing
(i.e. with their
name and address
lasered on it),
then why not
just ask them to send
it back? (Or part of it, or a
separately personalized slip or
card.) If all you need is a “yes,” you
STEP 2: EASE
67
Figure 25
A mailing from Cancer Research UK. It contains everything the cus-
tomer needs to reply. The charity’s experience is that the inclusion of
a free pen can create an uplift in response of 50 percent. Reproduced
by kind permission of Cancer Research UK.
can make life as simple for your customer as placing a postage-paid card
into their out-tray.
Then there’s the issue of allotting your customer enough space in which
to write. Given that this is usually the object of the exercise — as I high-
lighted in the earlier discussion of reply coupons — it’s remarkable how
often marketers make it a trial.
Confidentiality is an invisible factor, but nonetheless one that could
prove to be a tipping point. Some people just don’t like the idea of their
details going naked through the post, even for the most innocuous of
requests. We discovered that we could get a better response from very
senior managers (to our win-a-prize mailings) if the subject matter wasn’t
obvious from the completed reply device. So we provided reply-paid
envelopes. More lowly staff had no such inhibitions when it came to get-
ting their names in the hat — and a reply postcard worked fine.
Design the reply device first
There is a range of explanations for why you might design the reply device
first. One argument goes that your customer — intending to respond — will
remove the reply device and discard the rest of the mailing. Later, if they
can’t find all they need to know on the reply device, the buying process will
break down.
American adman Fred E Hahn says that busy readers, especially in busi-
ness, often go straight to the reply device. Before spending time learning all
the details, they want to discover what the offer will cost in dollars, time,
effort, or other commitment. In response to this behavior, copywriters now
load the reply device with the key benefits, and summarize the offer, the
guarantee, and the conditions. Often, they design the reply device first.
15
If you recall my counsel to “think tabloid,” you’ll recognize a great sim-
ilarity in the way Hahn’s logic acknowledges the busy customer’s demands
for information. It’s as much of a navigation as an ease issue, but never-
theless valuable.
For me there’s an even more basic reason why you should tackle the
reply device first. Simply, it puts ease high on your agenda. It gives ease a
DOES YOUR MARKETING SELL?
68
chance to stake a claim before all the space is gobbled up by images, graph-
ics, headlines, and copy.
It forces you to consider how your customer will respond, and how you
can help them. So even if you don’t actually have a physical reply device
(response may be by phone or internet), it ensures that ease is not an
afterthought. I find it useful to make a range of blank, actual-size mock-ups
of an ad, mailing, or leaflet before I begin to write a single word.
Say “This is the reply device”
It can be as simple as putting the words “order form” in bold at the top of
the order form. Or, “bring this card with you.” Or, “ring here for beer.” Or,
as I illustrated earlier (and see Figure 26), “tear-off reply card” — which,
productively, is not only a description but also an instruction, give or take
a hyphen.
The tipster’s mailing that I mentioned in the introduction started to
wo
rk once we emphasized the reply device. The latter was originally an
STEP 2: EASE
69
Figure 26
A repeat of the Warbur-
tons “tear-off” mailing shown earlier,
which simultaneously informs and
instructs. © Reproduced by kind per-
mission of Warburtons Ltd.
integral part of the main letter and had to be cut out, so I recommended a
more involved arrangement, in which it became a separate slip (“return
this to register and claim your three free tips”) held by two paperclips over
the front of the letter, roughly in the middle. To read the letter the cus-
tomer had no choice but to interact with the reply device. As I stated ear-
lier, response increased by more than 750 percent.
Straight-talking British direct marketer George Smith gave this equally
direct advice:
“You are not selling computers, copying machines or whatever. You
are selling reply forms!”
I like it.
Go with the flow
Our faxback mailing patently did not go with the flow. It required our cus-
tomer to make a significant detour. Our mailback cell worked because it
stuck to the tried-and-trusted route: in-tray to desk to out-tray.
The more closely you can engineer the means of response to match your
customer’s usual behavior, the more chance that they will reply. Take, for
example, the buzzphrase “traffic builder.” This is an offer that is sent or
communicated to your customer when they are outside an establishment,
to encourage them to go inside. The customer constitutes the traffic. (And
outside may mean literally outside on the sidewalk or anywhere else —
most likely at home.) The supermarkets do quite a lot of this sort of thing,
and here’s an analysis you might like to try for yourself.
I live six minutes from Sainsbury’s, eight minutes from Tesco, and ten min-
utes from Safeway.
16
My shopping pattern is about 80 percent Sainsbury’s, 15
percent Tesco, and 5 percent Safeway. (A recent study indicated that 40 per-
cent of shoppers travel less than 10 minutes to their main store.
17
)
Sainsbury’s feels the easiest to get to (there’s only one unpredictable
junction). A trip to Tesco involves a drive through a busy commercial
bottleneck (or alternatively winding rat-runs mined with “sleeping police-
DOES YOUR MARKETING SELL?
70
men”, those annoying road humps that slow down traffic). To reach
Safeway, I actually have to drive past Sainsbury’s.
I buy pretty much the same brands and products in each chain. Indeed, I
can’t really distinguish between their offerings, so my shopping pattern must
be determined by the inherent physical obstacles, relatively insignificant
though they may seem: Tesco plus two minutes, Safeway plus four minutes.
The great Claude Hopkins went so far as to state: “No one can prof-
itably change habits in paid print.”
18
I think these are salutary words for the
modern-day marketer. Going against the flow is one of the toughest chal-
lenges you can tackle. (What would it take to turn your shopping habits on
their head?)
Think carrots
Occasionally Tesco sends me traffic-building mailings with coupons —
some of which are based on my meager spend (and therefore not of very
high value). For Sainsbury’s I get a low-key ongoing discount via my loy-
alty card at the store.
Every week while I was writing this, Safeway took the trouble to deliver
a promotional leaflet through my door. When its much-publicized 20p-off-
a-liter petrol promotion was introduced, I began to take notice of the
leaflet. There were some good offers. Plus a £5 off coupon if I spent over
£30. I decided to set out on a serious discount-shopping experiment, and
planned a big list and an empty tank. I made a one-quarter saving on my
grocery bill and saved £21 on petrol — in total over £76 in one trip.
The less you are able to engineer the means of response to match your
customer’s usual behavior, the bigger incentive you’ll need to offer. Rather
than build a dual carriageway direct from my house to its car park, Safeway
went for the carrots big style: “Save 20p a litre on petrol and get BOGOFs
19
on lots of long-life household goods.” It worked. Not surprisingly, my shop-
ping pattern changed.
There are two lessons here. First: All is not lost if you can’t remove the
hurdles. Second: Can you afford the carrots? (Remember that Safeway was
bought out by Morrisons.)
STEP 2: EASE
71
A last word about ease
I’ll leave this to Drayton Bird (of whom David Ogilvy said: “He knows more
about direct marketing than anyone else in the world”). In describing the
attributes of
Reader’s Digest
mailings he writes:
“Note how careful they are to tell — very often at the beginning of a
letter — how easy it is to respond and exactly how to do so.

DOES YOUR MARKETING SELL? Straight talk

3I
’ve heard of Cancer Research UK and trust it.
4
Cancer Research UK is a very good cause.
5I
’d like to leave a legacy to Cancer Research UK.
6
This seems like an excellent offer.
7
There isn’t any catch.
8
This looks like it’s for someone like me.
9
The form seems easy to complete.
10
The solicitor will handle any complex paperwork.
11
I need to phone a local solicitor.
12
My solicitor is already on the list.
13
Any solicitor on the list can do this for me.
14
I’d better do something before the offer closes.
That’s 14 points, and you can probably think up a few more. As an aside,
it’s quite common for agencies to be given what we call “kitchen sink”
briefs like this. My advice: Don’t be tempted to try to get too much for your
money. (And don’t be offended if your agency comes back to ask what’s
the main point — be happy they’ve noticed.)
Find the navigation point
So if leading with all 14 points is out of the question, where do you start?
My answer is that this is when you have to steel yourself and
not think
about gaining attention. Likewise, you must avoid the temptation to focus
— for the time being — on the offer.
Instead, engage NEW AIDA thinking. Good salesmanship recognizes
that the communication is most likely to fail over a navigation issue. So to
set off on the right track to enable this insert to generate an above-average
response, I’d be looking for a navigation point.
At
such a juncture I always find it salutary to picture a friend of mine
who moved to Britain from Texas a while ago. His name’s Hal. I think
Americans are generally used to a higher standard of customer navigation
than us Brits. In an unfamiliar sales environment (it can be as simple as a
café where it’s not clear whether you go to the counter or take a seat and
STEP 1: NAVIGATION
27
wait to be served) Hal’s got a great turn of phrase: “Okay, but... waddawa
do here?”
When marketing provides no answer, he walks. I can just hear him mut-
tering the same thing at home, moments before he bins his mail, or at his
desk, as he wrestles with and then exits yet another uncooperative website
— when all he wanted was the navigation point.
Waddawa do here? In order for the Cancer Research UK insert to sell,
what the customer needs to do is phone a local solicitor. They must cross a
bridge from thought to action. It’s the communication crux.
And there it is, number 11 in my list: “I need to phone a local solicitor.” This
should be the starting point for thinking about the design of the message.
Let navigation lead design
So how does the Cancer Research UK insert shape up?
Take
a look at Figure 9. This is what the customer sees on opening the
first fold of the insert. Not a repeat of the offer. Not a claim about how
much they will save. Not a list of the supporting benefits.
Instead, what the customer sees first is what to do. Bingo! An entire dou-
ble-page spread is given over to listing all the local participating law firms,
with a simple call to action: Choose a solicitor, phone for an appointment.
I wouldn’t expect a customer to read this spread in any great detail. But
at a glance they’ll get the idea, knowing that they can come back to it later.
(I think, if anything, they are most likely to check if their present solicitor
is on the list.)
Uncertainty minimized, the way is clear. The customer can relax and
read more about the offer. The next fold opens out the insert in its entirety
— Figure 10 — and what I like about this is the continued emphasis on nav-
igation. Through a mix of position and typography, the eye is led to a fur-
ther explanation of what to do.
The layout of this Cancer Research UK insert is not “natural.” Nine
times out of ten in a leaflet such as this you would find the navigation point
on the back, or at the end in minuscule type (or missing completely).
Happily, navigation has been allowed to lead the design. Great.
DOES YOUR MARKETING SELL?
28
STEP 1: NAVIGATION
29
Figure 10
The inside spread of the Cancer Research UK insert, with a strong
continued emphasis on navigation. Reproduced by kind permission of
Cancer Research UK.
Figure 9
The answer to “waddawa do?” The first fold of the Cancer Research
UK insert opens to deal immediately with navigation. This layout
achieved twice the response of the control against which it was tested.
Reproduced by kind permission of Cancer Research UK.
And navigation
leading
the design doesn’t mean navigation
dominating
the design. (The offer is on the outside, front and reverse — exactly where
it should be.) It is just that the communication sequence has been con-
structed to act in harmony with the recipient’s thought process.
When I spoke to the marketing team at Cancer Research UK, initially to
ask permission to use their insert for a magazine article, I wasn’t surprised
to hear the response rate: It was
double
that of the control against which it
was tested.
Check if your customer already
knows what to do
Yo
u’ve probably noticed Figure 11. It relates
to the consumption of services of a sort. For a
customer involved in this particular buying
process, navigation information can be kept
to a minimum. It also highlights the role that
a visual can play in achieving speedy
navigation.
Figure 11
Little explanation required! Navigating the “forearmed” customer
can be quite straightforward.
However, the point I want to emphasize here is that you will often be com-
municating with a customer who
already
has a pretty good idea of what to
do (or what to think about).
Take
the fundraising mailing shown in Figure 12: “Save the caper-
caillie.” This was sent to me by the RSPB, of which I have been a member
for many years. During this time I have received scores of similar appeal
mailings, and occasionally I have responded.
My experience profile (as a recipient) is probably quite similar to that of
other potential donors. This means that initial navigation can be dealt with
in a taken-as-read fashion. You could say
implied
, rather than
express
.
I already know why the RSPB exists and about the phenomenal con-
DOES YOUR MARKETING SELL?
30
servation work it does. Like a million other members, I pay an annual sub-
scription, which I think of as a general donation. And — as I said — I’m
familiar with the society’s frequent one-off appeals.
So I don’t really need any upfront help with navigation in the “waddawa
do” sense. I know what the organization wants me to think about. I know
what it wants me to do.
In turn, the RSPB knows it can concentrate on making the communica-
tion of the central concept (“magnificent capercaillie nearing extinction”) as
powerful and emotive as possible. It can cut to the chase and lead with the
crisis. Since I know it’s an appeal, I don’t feel conned into reading it.
Obviously, if the mailing were targeted at new members or first-time
recipients, a bit more emphasis on navigation would almost certainly be
beneficial.
STEP 1: NAVIGATION
31
Figure 12
Navigation “implied” rather than “express.” RSPB members are famil-
iar with regular fundraising mailings, so emphasis can shift to mak-
ing the communication of the central concept as powerful and
emotive as possible. Reproduced by kind permission of the RSPB.
Don’t assume that ad seekers know what to do
Hold up a typical copy of
Yellow Pages
(if you can) and you’ve probably got
15,000 display ads in the palm of your hand. I doubt your customers read
Yellow Pages
for entertainment purposes. Almost certainly they’re ad
seekers.
What does NEW AIDA thinking prescribe? Surely your customer
knows what to do? Surely you can forget about navigation altogether?
My answer to this is no. Definitely not. Your customers might be ad
seekers, but that
doesn’t
mean they know what to do.
Consider this: As a teenager, for several years I worked part-time in a
local DIY store, where I learned among other things to cut large sheets of
glass to size. Bizarrely, it seemed, customers would see our ad and then
turn up expecting to buy glass.
We
Saturday lads used to joke among ourselves about this. You
wouldn’t believe the number of times a customer couldn’t even tell you the
dimensions of the window his son had broken that morning.
13
And if he
knew the size, he often forgot the thickness (which can be just as impor-
tant). Then had he checked his shed to see if he needed nails, and putty,
and undercoat, and exterior gloss? (Customer: “I need
nails
?”) This
predicament led to many lost sales. Customers often couldn’t be bothered
to come back into town equipped with the right information.
I’ve made it sound like it was the customer’s fault for not being able to
buy glass. But you know that’s an attitude stemming from poor salesman-
ship. The lesson is that even an active ad seeker benefits from a few words
of direction: The instructions should have been in the ad.
I’ve taken two examples from the Mortgage Brokers’ section of a recent
edition of
Yellow Pages
. They provide an interesting contrast and might
help you to assess your own communications.
In Figure 13 is an ad for a firm called Financial Tactics Ltd. I like this. It
leads with a dominant image and a headline that unravels the visual mes-
sage. (More about this in Step 4, Attention.) The web address reinforces
the accessible tone: Why call it financialtactics.co.uk when you can say ask-
foramortgage.co.uk? For the confident ad seeker, it’s a clear and engaging
piece of communication.
DOES YOUR MARKETING SELL?
32
No
w look at the ad shown in Figure 14 overleaf. At first sight this is
heavy with words. But what immediately struck me is its emphasis on
navigation.
Put yourself in the shoes of a first-time customer and read the sub-
heads. It reminds you that this stuff should have been on the curriculum at
school. The novice homebuyer faces a maze of uncertainty — and here’s an
ad that guides them through it.
All credit to the Mortgage Advice Network. You could say it’s done a
navigation job for the whole category. But while it might be inadvertently
helping its competitors, I’m sure the bulk of extra leads that this perceptive
ad generates will flow its way.
STEP 1: NAVIGATION
33
Figure 13
For the confident ad seeker, Financial Tactics Ltd provides a simple
navigation message. © Reproduced by kind permission of Yell Ltd
and Financial Tactics Ltd. ® YELLOW PAGES is a registered trade-
mark of Yell Ltd.
DOES YOUR MARKETING SELL?
34
Figure 14
This ad tackles head-on the navigation hurdles experienced by the
first-time customer. © Reproduced by kind permission of Yell Ltd and
Mortgage Advice Network. ® YELLOW PAGES is a registered trade-
mark of Yell Ltd.